Feature
Stephen Byram: art&design
A New Yorker opts for content, tactility and the sound of surprise
Small, mobile, intelligent units
Eye talks to young French designers who reject the atelier system and prefer to go it alone
The game of art
Graphic design was just one of the tools Karel Teige used to advance his vision of a new Czech society
We hardly knew you
Street-corner merchandising tries to remember the twin towers
Penguin crime
Romek Marber’s 1960s paperback identity is a landmark of independent British design
Reinterpreting the classics
For a handful of classical record companies, expressive design is a commercial priority.
Reputations: Jean Widmer
‘Signage reflects both the complexity of space and the way a place is organised. And it is very satisfying’
The Word on the street
Asked to make a graphic intervention for a Lisbon chapel turned gallery, design studio R2 turned to everyday irreverences